nine perfect strangers season 2

Nine Perfect Strangers S2 Trailer – In Dreams, Automated Acoustics cover

Thrilled to have my unusual cover of the Roy Orbison classic “In Dreams” featured in the trailer for season 2 of Nine Perfect Strangers, out now on Hulu & Amazon Prime. Check it out from 1:00 until the end.

This track is extra special for me, as I have loved the song since the 1990s when I heard it in the iconic scene from Blue Velvet, David Lynch’s psychological thriller. Mimed beautifully by Dean Stockman, while Dennis Hopper slowly goes crazy in front of an assortment of misfits and a quietly terrified Kyle Maclaughlan.

I decided to rework it in 2017, using piano and drums from my scrapyard recording session, cello and sound design. Live violin courtesy of my friend Ben Green lifted it beautifully. I sang the vocals on the 1st version.

My trailer agent Pusher Music in LA loved the track, but said my vocal sounded a little strained on the high notes (if you’ve ever heard my deep gruff voice, you’ll agree that’s a fair comment). So I felt female vocals were the way forward.

I tried 7 different session vocalists, none of whom had the range of the legend Roy and couldn’t handle the song. They all asked if I could transpose it – nope, sorry. I wanted to keep it in the original key. I was so frustrated, I thought I would never be able to finish this track. So much effort had gone in to the production and mixing, and now it was stuck in limbo.

Fast forward 4 years. I met a girl, Claire, who became my girlfriend. She was a singer too. I asked if she would like to try a pass at In Dreams – and she absolutely nailed it!

She had the range, passion, pitch and flair. I couldn’t believe it! She did a masterful lead vocal, and together we built a huge choir of both our voices layered up for the backing vocals. Finally, my In Dreams cover was back in action.

Many more hours of mixing and mastering later…. in 2023, 6 years after the original mix I had a trailer version which sounded wild, and a straight cover which was true to the original arrangement. The trailer version was sent to Pusher for pitching, and the regular mix was released on Spotify and other platforms. The song was finally out there!

July 2024 – Hulu were cutting their trailer for Nine Perfect Strangers S2 using the track and loving it! They requested custom edits, so I obliged. It was looking promising. Then they came back asking if I could edit Roy Orbison’s original iconic vocal in – of course I can! (Lucky I insisted on keeping true to the original key all that time too). Claire understood – if you’re going to get bumped from lead vocals, it may as well be to Roy frikkin’ Orbison! She was still present alongside me on backing choir too.

I didn’t hear anything for a year. I assumed it had not landed in the end, as is often the case in the competitive world of trailer music. But then out of the blue I got the “Confirmation” email. It landed.

Even though I have landed music in the trailers for Alien: Covenant, and Star Wars: The Book Of Boba Fett, this one is almost more special to me because the track was such a journey to complete, and also I did it with the woman I love. I had lost hope of that track, and was at a point of losing hope for love too, and this track tied it all together, like something from in dreams.

Check out the non-trailer mix cover on Spotify, Apple Music, Deezer, Tidal and Amazon here

Mixed and mastered by me at Fat As Funk studio, my other job.

Visit To A Film Scoring Studio – Sender 49

I had the privilege of visiting Sender 49, the exclusive private studio of my trailer music agency Pusher Music. This is where I will be recording some amazing live musicians in the near future. The studio is a masterpiece of sound engineering, featuring custom Quested speakers, a classic Allen & Heath mixer, a bunch of sleek Lazy Lizard gear, a treasure trove of vintage synths, a gorgeous live room and the finest microphones you can imagine. Iโ€™m so excited!

Built From Memories – New Album – Feb 26th 2021

Automated Acoustics is an experimental music artist. His work sounds like if Tom Waits and Aphex Twin collaborated, then the results were remixed by Hans Zimmer. Influences of Autechre, Future Sound Of London and too many raves back in the day.

“Built From Memories” is Automated Acoustics’s first release in 10 years. An ambitious electronic and experimental music hybrid, Built From Memories contains huge found-sounds from illegal Scrapyard Recording sessions colliding with a live micro-orchestra of cello, violin and double-bass. Blended with savage analog synths and emotional vocals, it is epic battle music for a scene in your head.

The album is a collection of tracks originally written for trailer music, then remixed to flip the different elements into something new. You’ll hear glimmers of ambient, jungle, techno, classical, world and jazz music shining through on this exotic release.

The title “Built From Memories” reflects that every track Automated Acoustics has ever made is somehow blended with a snapshot of life recorded from around the world – a memory. The process is its own reward. His avant garde music is an outlet to soothe his soul, and bring light to the dark.

A few original found-sounds you’ll find buried deep within Built From Memories:

  • His teeth being drilled at the dentist, hidden as a subliminal noise in a riser
  • Big drums recorded in a church
  • Many manipulations of metal from Scrapyard Recordings
  • Bespoke moving water instrument
  • Empty oil tank mic’d up and recorded from within to create a pad
  • The London Underground train – tonnes of metal grinding together

Remixed from memories: the singles 

Due to the multi-mood, three-act structure of the original trailer pieces, they naturally lend themselves to remixing. 
 
Automated Acoustics has flipped the original four tracks into an ambient mix, a dirty warehouse techno mix, a jungle glitch remix, and two stripped-back versions of the hyper originals. 
 
With both classical music and raving entrenched in his blood, this genre-defying release is a natural hybrid of all his favourite sounds. 
 
The trailer tracks + remixes format is something we will continue for future Automated Acoustics releases.

Single 1: Swept Away

A twisted homage to 70’s Spy music, with a mental modern edge. An gentle build brings you in to an intense cinematic epic in under 3 minutes. If you’re curious what instrumentation was used you can see here.

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Single 2: Barebow Rebellion (Warehouse Mix)

Dirty techno mix of the emotive cinematic original. Live micro-orchestra and glitchy vocals.

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Single 3: Ghosting Again (Jungle Glitch Mix)

Beautiful and rugged uptempo junglist remix of the brooding cinematic original.

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Single 4: Barebow Rebellion (Ambient Mix)

Ambient gong-bath remix complete with AMSR tingles. Meditation music to space out.

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Single 5: Battle Of The Gods (Breaker Mix)

A chunky beat and cheeky bassline bring this exotic orchestral experiment on to the dancefloor.

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More on the found sound aspect: 

Since college days Lawrence has been a menace with a portable recorder, gathering guerilla recordings of people, places, objects, situations. The recording quality has improved over the years, but the ballsy determination for collecting sounds has not been watered down. 
 
The scrapyard recording session flaunted many health and safety guidelines, & the cameras were switched off while the operator smashed cars together at his bidding, and he went round the place hitting anything in his path. Want weighty drums? How about a 1.5 tonne โ€œdongโ€ swinging into a huge metal bin thatโ€™s big enough to dispose of cars. 

Heโ€™s sampled insane street preachers in L.A., tree frogs in the Carribean, building work inside the Sagrada Familia Barcelona, the London Underground grinding away, and he carried a drumkit one-drum-at-a-time into an abandoned train tunnel age 17 to record subterranean beats. 
 
The found sounds are sometimes hidden in the track as subliminal emotional triggers The dentist drilling his teeth is found lurking at the end of a riser in the track โ€œBattle Of The Godsโ€, for example. Sometimes he uses recordings instead of waveforms to drive synthesizers, or diffuses them in effects.

Built From Memories also features the vocal talents of his mother Rosalind Gill, an old opera singer on โ€œBarebow Rebellionโ€. On โ€œBattle Of The Godsโ€ youโ€™ll hear Bristolian singer Tamsyn Fallows alongside double-bass and violin from London based Ben Green, and Barcelona based James Adams performing the Snake Flute, Suling and Darbuka.

“Barebow Rebellion” has a meditative intro using layered ceremonial gongs, then drops to a fat gnarly bass drop at 1:00. Builds into an emotional wild piece with cello, violin and vocals from an older opera singer. Epic battle music with a regal vibe.

“Ghosting Again” is an exploration in space and distortion. It uses the Scrapyard sounds again, along with distorted piano through a guitar amp, dirty cello, and layered gongs melded with vocals to create an ambient wash. Epic dark music / fantasy music.

“Battle Of The Gods (Exotic Mix)” is epic battle music for a surreal desert world in my head. This trippy music uses an Egyptian Snake Flute, Suling, the church drums, cello drone, and wild vocals. I asked the singer get down on her knees and imagine she was about to be executed, and to sing to save her life – she got really into it.

A stripped-back, leaner remix. Minus the Vocals, Snake Flute and Suling for a less bizarre world.

Released on Alternative Blueprint Records – ALTBLUE014

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